I'd seen some motion comic animation, and the quality varied. Ub Iwerks and Don Bluth also built multiplane cameras for their studios. For example, in a scene in which a man is sitting in a chair and talking, the chair and the body of the man may be the same in every frame; only his head is redrawn, or perhaps even his head stays the same while only his mouth moves. Other adaptations include Spider-Woman: A special version of cel overlay is called line overlay, made to complete the background instead of making the foreground, and was invented to deal with the sketchy appearance of xeroxed drawings. Academy Award -nominated animator Bill Plympton is noted for his style of animation that uses very few in-betweens and sequences that are done on threes or on fours, holding each drawing on the screen from an eighth to a sixth of a second. The storyboard artists will have regular meetings with the director and may have to redraw or "re-board" a sequence many times before it meets final approval. At first, it resulted in a more sketchy look, but the technique was improved upon over time. It featured brief sequences of a stylized approach to comic panels, partly done with animation, partly with actors in a drawn environment via chroma key.
Dick in his novel The Zap Gun, an expansion of his novella Project Plowshare , which was written in and first published as a serial in the November and January issues of Worlds Of Tomorrow magazine. The panorama views in Pinocchio are examples of the effects a multiplane camera can achieve. Illustrated films[ edit ] A sibling format to motion comics called illustrated films was developed by transmedia studio HALO 8 Entertainment with their Godkiller , which was produced at the same time as but separately from the Watchmen motion comic. This is known as limited animation. Editing the film at the animatic stage prevents the animation of scenes that would be edited out of the film; as traditional animation is a very expensive and time-consuming process, creating scenes that will eventually be edited out of the completed cartoon is strictly avoided. The film frames were then printed on paper, showing a model made up of the painted black lines. The second character will be animated to react to and support the actions of the "leading" character. Stallion of the Cimarron and Sinbad: In TV and other low-budget productions, cels were often "cycled" i. Background artists follow very closely the work of the background layout artists and color stylists which is usually compiled into a workbook for their use so that the resulting backgrounds are harmonious in tone with the character designs. Visual novels can either be little more than interactive films or much more interactive adventure games , with the dialog boxes containing controls for interaction with the game. The loop is created so that, when the sequence repeats, the motion is seamless. Gradually, motion control techniques were adopted throughout the industry. Once the key animation is approved, the lead animator forwards the scene on to the clean-up department, made up of the clean-up animators and the inbetweeners. The resulting drawings are again pencil-tested and sweatboxed until they meet approval. Further frames feature new cels of the boy, but the plate does not have to be redrawn as it is not moving; the same cel of the plate can be used in each remaining frame that it is still upon the table. At the same time, the background stylists will do similar work for the settings and locations in the project, and the art directors and color stylists will determine the art style and color schemes to be used. Many superheroes knocked boots in some hot, heavy, graphic DC sex, leaving nothing to the imagination. However, because an animation loop essentially uses the same bit of animation over and over again, it is easily detected and can, in fact, become distracting to an audience. Computers and traditional animation[ edit ] The methods mentioned above describe the techniques of an animation process that originally depended on cels in its final stages, but painted cels are rare today as the computer moves into the animation studio, and the outline drawings are usually scanned into the computer and filled with digital paint instead of being transferred to cels and then colored by hand. Some hand inking was still used together with xerography in this and subsequent films when distinct colored lines were needed. While design is going on, the timing director who in many cases will be the main director takes the animatic and analyzes exactly what poses, drawings, and lip movements will be needed on what frames. Voice recording[ edit ] Before true animation begins, a preliminary soundtrack or "scratch track" is recorded, so that the animation may be more precisely synchronized to the soundtrack. At first, it resulted in a more sketchy look, but the technique was improved upon over time. For a more complex example, consider a sequence in which a boy sets a plate upon a table.
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