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Critical reception[ edit ] Sucker Punch was negatively reviewed by most film critics. Petersburg Times critic Steve Persall found that the most offensive fact about the film was that it "suggests that all this objectification of women makes them stronger. That's the only way he could get a PG [rating] and he said, 'I don't want to send that message. Marius de Vries [65] Music plays an integral role in the film. Several critics described the film as misogynistic and others expressed concern over its treatment of sexual violence.

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That's the only way he could get a PG [rating] and he said, 'I don't want to send that message. It is actually very much about the sexualization of women in popular culture, rather than just using those tools to make pointless exploitation fare. Bromley further judged that the film is "about fighting a losing battle. Their rebellion is one of imaginative whimsy in a heavily misogynistic world that is barely questioned or truly challenged. Critical reception[ edit ] Sucker Punch was negatively reviewed by most film critics. Club 's Nathan Rabin wrote, "with its quests to retrieve magical totems, clearly demarcated levels, and non-stop action, Snyder's clattering concoction sometimes feels less like a movie than an extended, elaborate trailer for its redundant videogame adaptation. Club months after giving the film a "C-" grade, Nathan Rabin concluded, "Depending on whom you ask, Snyder set out to make either the ultimate sexist masturbatory fanboy fantasy or the ultimate critique of sexist masturbatory fanboy fantasies. I think it's great for this young girl to actually take control of her own sexuality. About using every tool at your disposal, be it sexuality or physical strength or wit or the ability to band together to fight a common enemy—the tool of Sisterhood—and about how that still isn't enough. The album was praised by music and film critics, as were Browning's vocals. Petersburg Times critic Steve Persall found that the most offensive fact about the film was that it "suggests that all this objectification of women makes them stronger. Though they are given vicious snarls, swords and guns, the leading ladies of Snyder's latest are nothing more than cinematic figures of enslavement given only the most minimal fight. They used actual songs for Sucker Punch that would create suitable moods. The film reached 1 best-selling DVD for four weeks in a row, selling over a million copies in America on its premiere day. He failed spectacularly on both counts, but in true Fiasco form, there's something fascinating and even strangely majestic about that failure. Zack said he edited it down to the point where it looked like he was taking advantage of her. It's supposed to be reassuring that men who beat, berate, molest and kill these women will get what's coming to them. The film was passed with no additional cuts required. An R-rated [] extended cut was included on the Blu-ray release, which adds 18 minutes to the film. To avoid an R rating, a scene that implied sex was cut. Marius de Vries [65] Music plays an integral role in the film. Several critics described the film as misogynistic and others expressed concern over its treatment of sexual violence. Just wait, Snyder says, but in the meantime here's another femininity insult to keep you occupied. It plays an important factor in the film and is used as it was in Moulin Rouge! The trailer was released on July 27 on Apple Trailers. Scott of The New York Times described the film as a "fantasia of misogyny" that pretends to be a " feminist fable of empowerment" and found that the film's treatment of sexual violence was problematic and believes the target audience as a whole is in favour of it.

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