If there are things wrong with what I do, I hope people tell me. Lobi became a skilled songwriter specializing in exhortations to party, or celebrations of love. I started to understand pentatonic melodies on the guitar. So when we went with this band to play at weddings, often I would ask if I could do a Bambara song. In his final years, Lobi was driven to record and to demonstrate how he had grown as a musician. Maybe I was inspired by that. Maybe the resemblance is just a coincidence.
Maybe the blues was inspired by Africa. Lobi became a skilled songwriter specializing in exhortations to party, or celebrations of love. Bamako , Segou , and Duga Maybe I was inspired by that. Maybe the resemblance is just a coincidence. This history combined with the fact that he started out as a percussionist says a lot about the expressive, highly rhythmic, and transcendently bluesy guitar style Lobi went on to develop. But all of it is Lobi, an artist with many faces. You must not sell bad food that will make people sick when they eat it. Lobi sought to dignify a profession that many Africans still view as dubious. In a city where most people enjoy their music at weddings and concerts and do not drink alcohol, the clubs where Lobi played were frequented by working class couples keen for a night of dancing. The two are in love and they want to be together. He came for his business, but he had an acoustic guitar, and I became very interested in it. So when we went with this band to play at weddings, often I would ask if I could do a Bambara song. But listen, for me the music I play comes from me, from my place. Producer and guitarist Chris Eckman had returned to Bamako to record the Tuareg desert rock band Tamikrest, but Lobi more or less demanded a hearing. Thank God he did! I will pursue my love. The wedding band he played in specialized in Manding music, melodious, heptatonic praise songs drawing from an old standard repertoire. His playing has never sounded cleaner, fresher or more nuanced. Each place has its arts. Lobi also drew fans of the more earthy African electric music music, and no doubt, a few more unsavory types as well. No guitarist alive phrases the way Lobi does, and to hear him unaccompanied like this is a treat not found on any of his other nine albums. If there are things wrong with what I do, I hope people tell me. His international releases presented a toned-down, acoustic side of his music, while his club dates in Bamako became ever more wild, raw, and raucous. In the end, they would always ask for these songs. Lobi recorded three CD releases for the Cobalt label: Not long before he died—suddenly and unexpectedly in June, —Lobi recorded an unprecedented solo CD—just him and his guitar, in a single session with no overdubs.
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