That is, to completely wrap a person in some kind of tape Saran Wrap will do! The dynamic level is always pianissimo. At the start the music moves in quarter-notes — then in dotted-eighths — then sixteenths. A more passionate middle section follows and leads to a recapitulation, then a tiny coda. Each time the main theme reappears, the musical pulse quickens. Initialized here is, of course, Aaron Copland — a dear friend and mentor. A, A, C, A, D are the musical letters found there.
Only at the end, when, in tribute, Copland's famous Shaker melody is added, are these chords revealed as the tune's accompaniment. Static and quietly tonal, this music moves in 16 measure units that go from slow to fast. All the while the breathless music from the beginning swirls in joyous counterpoint. Only at the end, does the rhythm chance? Each time the main theme reappears, the musical pulse quickens. Once the opening music has reached its frenzied, fastest tempo, it dissipates, then becomes background for a new contrasting theme — one more graceful and innocent. In the ensuing quiet, another familiar wedding march begins tentatively, then grows to an even grander climax. At the start the music moves in quarter-notes — then in dotted-eighths — then sixteenths. Finally, it reaches a frenzy of still faster triplet sixteenth notes. Initialized here is, of course, Aaron Copland — a dear friend and mentor. Mandango At 11 minutes, this is the big piece of the set. The music wanders quickly through many keys — perhaps a musical equivalent of diversity. This grows to a climax, then retreats. A, G, B, B, are the notes of the theme of the gentle opening section. A, A, C, A, D are the musical letters found there. Each piece, except for In Memoriam, A. Same-Sex Marriage begins with fast, canonically-chasing lines, moves to a more lyrical middle section, then returns to the bustle of the opening when suddenly appears, chorale prelude-like, a quotation from a famous wedding march. This new theme returns in a more fully-developed cantabile section. Mandango is a gayish corruption of the word fandango — a tango-like dance of sensuality and sexiness. Separating these gradually accelerating recapitulations are various contrasting sections, the most developed of these is a fugue. Along the way, there are points of musical interest. The rhythm is dictated by the varying distances between each of these and the non-musical letters AAronCoplAnD. The mood is one of hushed tenderness. Soon, however, it is engulfed by the passionate theme — but not for long. That is, to completely wrap a person in some kind of tape Saran Wrap will do!
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