There are many militant gay thinkers who would argue that any claim of asexuality must be read as a self-loathing fiction masking a deeply repressed homosexual identity. However, approached as a series of "works in progress," the album has quite a lot to recommend it. This is a prescription for inescapable and pervasive frustration, which is, of course, always where the seller wants to meet the buyer. However, it's hard not to notice the under-produced, impromptu nature of the music and vocals. With a little finessing, this album has the potential to be one of Coil's finest. Jhon Balance's vocals are given too much prominence in the mix, overwhelming the Sleazy's laptop programming and Thighpaulsandra's vintage synthesizer squalls. Immediately following the sessions, Sun Ra and Vargas would retire to the control room for marathon editing sessions. Note that, unlike the ascetic acting within a religious covenant who renounces sex as sinful or impure, Sonny saw it as a colossal distraction from his life-consuming mission.
It is also a recipe for countless reported and unreported disasters of a very personal type. He seemed to be with a pretty clean group. Stowe agreed with the observations of her time that, beyond a certain age, usually the early teens, Negro children ceased to advance under schooling. The studio was owned by Fernando Fred Vargas, a sound engineer, and Warren Allen Smith who was a public school teacher from Connecticut who had majored in philosophy at the University of Chicago. However, approached as a series of "works in progress," the album has quite a lot to recommend it. And if a brother is willing to make that point — to demonstrate it, perform it — by forgoing sexual pleasure, then I believe that must be one very important point to make. According to various sources, Coil have plans to re-record and re-mix this material, and will eventually give it an official release. Smith emphasizes the long hours Vargas and Sun Ra spent in close quarters to suggest nothing more than the confidence built, and opportunity for candid discussions, while cutting tape. Therefore, I should probably withhold final judgment on these songs. In fact, the barebones packaging and low-fidelity recording of Black Antlers leads me to suspect that it is nothing but a glorified concert rehearsal captured on record. I heard that none of the guys was ever using drugs. In an overcrowded world where human sexuality is deeply conflicted in so many painfully demonstrable ways, are we not justified in seeing asexuality as a social frontier of great importance and promise? It made no difference for him, so he was not like a religious fundamentalist who would object to work with people like us, you know. The end result of all this competitive, free market sex is a borderline neurotic, sex-addicted, sex-deprived individual awash in a hour-a-day, pornoramic mediascape that uses sexual reference high and low brow the way newspapers once used ink. Jhon Balance has a new lover and collaborator, artist Ian Johnstone, he's grown a D. If sex has become a scorched battle-ground of rape, abuse, exploitation, commodification, disease and commerce, is not the asexual a refreshing beacon of detachment? In a interview, Smith reflected on the nearly thirty years that he and Vargas worked closely with Sonny. We would discuss anything. Coil's version is quite lovely, with expertly played marimba as accompaniment for Balance's best attempt at crooning. However, it's hard not to notice the under-produced, impromptu nature of the music and vocals. Immediately following the sessions, Sun Ra and Vargas would retire to the control room for marathon editing sessions. There are many militant gay thinkers who would argue that any claim of asexuality must be read as a self-loathing fiction masking a deeply repressed homosexual identity. Nothing that is essentially incorporated into human being — not sex, not Death, not religion, or money — nothing that we are or have been is beyond evaporation as our ontology catches up with our time. Variety became an important site of production for Sun Ra, and his relationship with its ownership team was a cordial and extended one. I am not the first person, for example, to see photos of the late gay disco vocalist Sylvester in a metallic sequined skull cap and think, wow, that dude sure looks like Sun Ra. There is a loose, improvisatory feel to these tracks that I'm not altogether convinced is the final word for these songs. Without any substantiated claims of Sun Ra ever having acted as a sexual person over the course of his many decades in public life, we should take him at his word:
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Coil - Sex with Sun Ra
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